- The Washington Times - Thursday, June 4, 2009

To hear the folks in Hollywood talk about it, improved 3-D technology and the quality films that are lining up quickly behind it represent nothing short of a moviegoing revolution. Tell that to the folks who still live hours from the nearest 3-D-equipped theater.

For them, all the extradimensional summer offerings and slick marketing campaigns amount to nothing more than a big, frustrating tease.

For them, the movie world is still flat.

Because of the credit crunch and high cost of upgrading equipment, the vast majority of theaters don’t yet have the ability to show 3-D movies, a situation that affects the nation’s farthest-flung areas the most.

Those who haven’t made the costly transition run the risk of losing customers who are willing to travel to see movies elsewhere in 3-D, says Bob Collins, marketing director of Zyacorp Entertainment’s Cinemagic, which has been offering 3-D at its Saco, Maine, theater for more than a year.

“A chain that doesn’t have the 3-D technology, they’re going to be in a very tough situation because they’re basically going to be turning away customers,” he says.

As it stands, 26 percent of 5,756 cinemas across the country have one or more screens capable of showing 3-D movies, but that number is expected to grow as financing becomes available later in the summer, says Patrick Corcoran from the National Association of Theater Owners.

All told, there were just 2,385 3-D screens out of a total of 38,853 screens nationwide at the end of May, according to the theater group.

Thousands more screens would be converted to the format if not for the recession. Two separate financing deals that would have brought 3-D to more than 20,000 movie screens across the country collapsed because of the economic meltdown, Mr. Corcoran says.

The technology doesn’t come cheap.

It costs about $70,000 for a movie theater to upgrade from film to a digital projector, and the 3-D add-on costs another $30,000. That $100,000 total compares to $15,000 to $20,000 for a traditional 35 mm projector that has been the industry standard.

Upgrading all movie screens to the digital technology would cost billions, and the slow progress has created tension between studios and cinemas.

At last month’s Cannes Film Festival, Disney studio Chairman Dick Cook took a friendly jab at cinema owners when he noted that Disney was able to have a makeshift theater up and running in three days. The company set up the screen at a Cannes hotel to show reporters 3-D footage of its new version of Charles Dickens’ “A Christmas Carol,” starring Jim Carrey and due in theaters late this year.

“It just dawned on me, this theater that you’re in today, it’s digital, it’s 3-D, and we built it in three days,” Mr. Cook said. “Now I was just thinking to all the exhibitors that are here, it only took us three days. So let’s pick up the pace a little bit.”

The first movie presenter to take the leap in Maine was Cinemagic, a regional chain that has used digital projectors since its inception a decade ago.

Customers are eager for 3-D movies and are willing to travel to see them, says Donna Spencer, manager of the 13-screen Cinemagic in Saco. One family traveled from Bangor - about 140 miles away - to see the “Jonas Brothers: The 3-D Concert Experience,” she says.

Miss Spencer says she has yet to see a customer leave a 3-D movie disappointed. There have been no complaints about the $3 ticket premium for 3-D movies, she adds.

Parents especially enjoy bringing their children to 3-D movies. DreamWorks Animation and Disney Pixar Animation say all future movies will be released in 3-D.

“The kids loved the 3-D,” said Kim Marcotte, of Falmouth, Maine, who watched “Monsters vs. Aliens” with her 7-year-old daughter, Sophie. “They were reaching out for the objects in front of their faces, and the audience would gasp. They all clapped at the end.”

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