If there’s one person who most certainly is not mysterious, it’s celebrity blogger and provocateur Perez Hilton, whom we exclusively hear is publishing a book in December in which he addresses his very public spats with conservative former beauty queen Carrie Prejean and musician Will.i.am.
Titled “Perez Hilton’s True Bloggywood Stories: The Glamorous Life of Beating, Cheating, and Overdosing,” the book is “a year in review about all the scandals that happened in Hollywood,” according to a source close to Mr. Hilton.
When we asked if “the queen of all media” takes a remorseful and apologetic bent toward Miss Prejean in the book, the source told us emphatically “no. [Miss Prejean] would not be where she is without Perez.”
Look for a release date of Dec. 2, just in time for the holidays, and for the always snarky Mr. Hilton to rehash his clashes on a media tour.
Opera is work
Famed mezzo-soprano Marilyn Horne — a recipient of the National Endowment for the Arts 2009 Opera Honors — admitted she fell asleep during her first time at an opera. It was Wagner’s “Tristan and Isolde.” It’s almost 4 hours of orchestra and voice with little action.
“I fell asleep in the first act!” she said with a laugh, then added, “Well, I’d been all day at school. I didn’t get a nap, and I know now when you see ‘Tristan and Isolde,’ you nap!”
Miss Horne joined the other honorees at Sidney Harman Hall — composer John Adams, stage director and librettist Frank Corsaro, general director Lotfi Mansouri and conductor Julius Rudel — in a discussion about the challenges of marketing opera today, especially to younger people.
Mr. Mansouri later said, “I want people to stop this nonsense about opera being elitist. That’s awful and I won’t buy it.”
“And there are so many intersections with theater, more and more. It’s great!” added NEA Chairman Rocco Landesman, who was one of the speakers at the event.
“It’s music theater,” Mr. Mansouri added.
“It’s hard to tell where musical theater stops and opera begins.” Mr. Landesman said.
Mr. Mansouri concluded, “Our problem has always been because our profession is called opera and opera sounds rather exotic, and that’s nonsense. Opera means work — simply work.”
Will she or won’t she? In addition to keeping music lovers riveted with her lovely, unique voice, soprano Kiri Te Kanawa likes to keep them guessing.
In what was billed as her “farewell D.C. performance,” Miss Te Kanawa was the star Saturday night at the Kennedy Center for the Washington Performing Arts Society’s Fall Celebration.
At one point, Miss Te Kanawa toyed with the audience, indicating that her so-called “retirement” may not be set in stone and that this may not be the last the nation’s capital sees of her.
Miss Te Kanawa is a beloved figure in the world of opera, having appeared in the world’s major opera houses. She is also a recording artist and known to popular audiences as having sung at the 1981 wedding of Prince Charles and the late Princess Diana in London. A native of New Zealand, she was made a commander of the British Empire in 1982.
There have been reports in the media recently that the 60-something diva is looking to slow down, perform less and focus on her charitable foundation, which helps mentor young artists in her homeland.
The idea of slowing down, it seems, is also trickling into her repertoire.
She explained that she decided to only sing “slow” songs Saturday because “I like them. I don’t apologize.”
Luminous in a winter-white evening coat with diamond embellishments, Ms. Kanawa told the crowd that she selected a white ensemble because “Washington is white. Everything is white here.”
We didn’t exactly get this, so we asked around at the gala dinner for some feedback from the guests.
“I think she was talking about the monuments. You know, the White House, the Capitol Building and the other buildings are all white,” said WTOP Radio’s “Man About Town” Bob Madigan.
Yet another example of the singer’s mysterious vibe. In fact, she did not appear at the dinner, and we were told that she probably wouldn’t answer our questions anyway because “she’s very private.”
The patron of the evening was British Ambassador Nigel Sheinwald, who was not in attendance but sent his wife, Julia, who seemed to grit her teeth in vexation when Neale Perl, the president and CEO of the WPAS, introduced her as “Julie.”
Also from the diplomatic community was New Zealand Ambassador Roy Neil Ferguson who delivered remarks at the dinner, and from National Public Radio came Nina Totenberg.
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