“Drive”8. “Attack the Block”
This alleged sci-fi comedy about an alien invasion in a British housing project plays more like a subversive survival-horror thriller — a genre spoof so deft it actually improves on the genre it’s toying with.
9. “Mission: Impossible — Ghost Protocol”
Crackerjack action sequences stacked as high as the eye can see make “Ghost Protocol” the year’s most purely enjoyable blockbuster. In his first live-action outing, star Pixar director Brad Bird (“The Incredibles,” “Ratatouille”) raises the stakes on contemporary action filmmaking with a series of dazzling, flawlessly executed set pieces, including a slam-bang sandstorm chase that has to be seen to be believed.
10. “X-Men: First Class”
The year’s best superhero movie successfully mixes sly social commentary with high-flying action, but it works because it treats its characters with respect — as people, not cartoons. James McAvoy’s Charles Xavier and Michael Fassbender’s Magneto, in particular, make the year’s best big-screen pair.
By Rand Paul
Obama acts as though we no longer have a Constitution
Independent voices from the TWT Communities

First over-the-counter column approved for fast and effective relief from even your worst media-induced headache.

Challenge the political status quo. Realize that you make better decisions than the bureaucrats in D.C.?

A politically conservative and morally liberal Hebrew alpha male hunts left-wing viper