- Obama’s regulatory agenda will cost U.S. economy $143B next year: report
- Patriot Act author on James Clapper: Fire, prosecute him
- Russia P.M. Medvedev: No amnesty for political prisoners
- Michigan GOP Senate hopeful reminds government is the ‘servant’
- Christmas, by Congress: Members mull a 15-cent tax on trees
- U.S. unemployment falls to five-year low of 7 percent; 203K jobs added
- World mourns Nelson Mandela and celebrates his life; burial set for Dec. 15
- Bill O’Reilly reminds: Nelson Mandela ‘was a communist’
- John Boehner says GOP should support gay candidates: ‘I do’
- Grass-Whopper: Pan-fried cricket burgers go over big in New York City
Review: Musical life only gets better for Nas AP Photo NYET195 %reldate(2012-07-16T11:52:12 (Eds: Wi
Question of the Day
On the cover of his 10th album, "Life Is Good," the urban troubadour known as Nas is dressed in a white suit, glumly holding his ex-wife Kelis' green wedding dress - the only thing left behind after the couple's publicly acrimonious divorce. By way of his art, Nas both washes his laundry in public and shows he has moved on.
Producers No I.D. and Salaam Remi give this very personal record an aura of nostalgia, a throwback to the golden age of hip-hop, by using classic beats. Collaborations with artist like Mary J. Blige, Rick Ross and Swizz Beatz and Nas' solos arrange themselves into a coherent necklace made of discreet gems. Old mixes with new, noir enters the flow and the lyrics are tinged with both vulnerability and brutality.
Nas is the same master wordsmith as he was when he first bowled over critics with his 1994 debut "Illmatic." He tackles thug life, chrematistics and the pursuit of status, yet shows signs of growth by considering more personal topics like parenthood, love and his relationship with his celebrity.
Songs like "Daughters," where he raps about his own real-life parenting struggles with his teenage daughter or "Bye Baby," where he addresses the breakdown of his marriage and his subsequent bleeding heart, show a touching self-awareness. "Cherry Wine" featuring the late Amy Winehouse paints him in a surprising light where he is unshackled by the stereotypical rap views of women. Nas manages to make a clean break with the past by submersing himself and us in it.
CHECK OUT THIS TRACK: "You Wouldn't Understand," with its fast beat enhanced by Victoria Monet's crystalline voice.
© Copyright 2013 The Washington Times, LLC. Click here for reprint permission.
- Spike in battlefield deaths linked to restrictive rules of engagement
- Bill OReilly reminds: Nelson Mandela was a communist
- Activists urge Obama to go rogue, sidestep Congress
- Colorado judge: Bakery owner discriminated against gay couple
- U.S. pilot scares off Iranians with 'Top Gun'-worthy stunt: 'You really ought to go home'
- Obama administration issues permits for wind farms to kill more eagles
- Rush Limbaugh: Obama trying to make Mandela death about himself
- 'Hunger Games' delivers Obama's message on income inequality
- U.S. debt jumps a record $328 billion tops $17 trillion for first time
- Kill team: Obama war chiefs widen drone death zones
Independent voices from the The Washington Times Communities
The Constitution: Every issue, every time. No exceptions, no excuses. And how to get from here to there.
Why can’t humans just be free to be humans?
Get in the middle of all the action inside and outside the boxing ring.
Find the latest news and happening that effect those in the Washington D.C., Northern Virginia and Maryland Metro region.
White House pets gone wild!