'Becoming Jane' is fun without the genius

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Jane Austen is one of history's most famous spinsters.

She wrote six novels full of penetrating insights about human nature — yet the parson's daughter who lived to just 41 never married nor even moved from the family home.

How could such a seemingly inexperienced girl have written such deep works of art?

"Becoming Jane" takes a superficial — but immensely fun — crack at the question.

The film aims to obliterate the conventional view of one of the original "reclusive authors," imagining that Jane Austen was once the heroine in the kind of complicated love story that she was so good at writing. Though doomed, screenwriters muse, this relationship inspired all her subsequent works.

Young Jane (Anne Hathaway) is 20 years old and already a budding authoress. She's not published but reads her stories and stages her plays for her appreciative family.

Less impressed is Tom Lefroy (James McAvoy). The Irish lad is a law student in London but condemned to a visit to the country after word of his late-night carousing gets to his uncle and benefactor (the late Ian Richardson, in his final film role).

Lefroy and his "metropolitan mind," as he terms it, are bored by what he sees as mere "female accomplishment."

"Was I deficient in rapture?" he asks her after a reading.

"In consciousness," she acidly replies.