



Conservative radio talker Glenn Beck is simulcasting his live, one-man comedy show into more than 320 theaters nationwide Thursday night.Something rare will happen in movie theaters across the country Thursday night. Audiences will see, or rather hear, unapologetically conservative messages at their local multiplex.
No, Michael Moore hasn’t had a Arianna Huffington-like change of heart. Radio talker Glenn Beck is simulcasting his live, one-man comedy show into more than 320 theaters nationwide.
The high definition “Beck ‘08 — Live,” beamed from the Majestic Theatre in Dallas, will be played at five Northern Virginia theaters.
It’s part of the bigger trend toward event programming in movie theaters, such as showing performances by the Metropolitan Opera and classic movies with new, DVD-style extras.
Is Mr. Beck’s simulcast the only way conservative voices can be heard in movie theaters, where fictional features imbued with the prevailing liberalism of Hollywood’s filmmaking elite is the norm?
Mr. Beck, who has the third most listened to radio show in the country as well as a nightly program on CNN, hopes the telecast helps fill that cultural void. But he adds the event, a comedy-driven presentation, is a work in progress from a commercial standpoint.
“This is kind of an experiment to see if our listeners will come out,” he says.
If they do, he’s toying with creating a new film division to “produce the answer to Michael Moore,” as he puts it.
“The technology is there now,” he says. “You don’t need those big studios behind you.”
Chad Hartigan, box office analyst with Exhibitor Relations, says if Mr. Beck’s telecast draws an audience, the industry may take notice.
“Hollywood’s always looking to copy what’s successful,” Mr. Hartigan says. But industry insiders might see it as a victory for personality-driven projects more than overtly political ones.
“This [format] could work for an already established personality from another venue,” he says, not just radio.
Rich Noyes, research director with the conservative Media Research Center, contends that events such as “Beck ‘08 — Live” can’t have the rallying power that a successful theatrical feature has, and therefore likely won’t sway the masses.
Traditional films can build an audience slowly with repetitive marketing and solid word-of-mouth. One- or two-night stands don’t allow for that momentum.
Jason Apuzzo, co-founder of the Liberty Film Festival, is even more doubtful of the impact Mr. Beck’s film can have for conservatives.
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