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- Iran president reaches out to Oman on friendship tour
- FAA’s pre-Malaysia flight warning: 777s have cracking, corrosion issues
- Facebook HQ locked down; employees searched as police field threat
- Glenn Ford free, after serving 30 years for murder he didn’t commit
- Congressman: McAuliffe victory means gun control a winning message
- Clinton aide admits soliciting disgraced D.C. fundraiser; says actions were legal
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Zadzooks: Resident Evil 5 review
Superhero and cartoon characters are integral parts of the electronic entertainment industry. With this in mind, I salute the meld of pop-culture character and video game with a look at Resident Evil 5, Collector’s Edition (for Xbox 360, Capcom, rated M for mature, $89.99).
The granddaddy of all survival horror games returns with its latest chapter and some familiar friends. The third-person adventure takes one or two players into the smoldering sub-Sahara to stop madmen from infecting the world.
What’s the story: From the manual - When there are reports of a possible bioweapons deal in Africa involving a dangerous parasite last encountered by Secret Service Agent Leon Kennedy, a survivor of the Umbrella Mansion Incident, Bioterrorism Security Assessment Alliance (BSAA) agent Chris Redfield investigates. Fellow BSAA member Sheva Alomar provides Chris with backup as he visits Kijuju, though neither has any idea of the horrors that await them.
Play the role: In the solo campaign, the player controls the muscle-bound Redfield as he shoots, punches and blows up a variety of monstrosities and infected humans. He works side by side with the very able, computer-controlled Alomar (a Halle Berry-like beauty in the virtual flesh). Other than liking to waste ammunition, this warrior nearly always helps out, whether it’s climbing a structure to grab a key, healing Chris or giving a foe a roundhouse kick in the chops with a follow-up bullet to the forehead.
Get to the action: Unlike in previous Resident Evil games, combat thrives with an “in your face” intensity and less in the darkness. Environments act as breeding grounds for frenetic horror that encompasses such locales as a maze of shipping containers, a shantytown, a pitch-black mine shaft or a canyon pass.
Always expect the infected will attack. Lumbering zombies are now a quick, murderous species of infected humans ready to harm with teeth, chain saws, flaming arrows, hoes and guns.
Redfield and Alomar find a variety of weapons - from machine guns to grenades and pistols to a rocket launcher - and must manage their inventory effectively to survive. Specifically, a nine-slot menu means a balance among weapons, munitions and healing agents.
Memorable moments: Let’s not dwell upon a story about a heavily armed white guy running around Africa killing innocent natives infected by a virus generated by corporate greed. I’ll leave that bit of political correctness for the college professors.
Let’s revel in fighting giant crocodiles, an ogre mutation and a gigantic bat-earwig and wiping out motorcyclists using a Gatling gun from the back of a Humvee. How about challenging a massive executioner swinging an enormous hammer or a masked madman wielding a chain saw?
Also, an odd emotion welled up about an hour into the game - empathy. The environments are so detailed, especially the Third World villages, that my less militaristic side felt bad for the real-life people who live in this type of war-torn squalor.
Violent encounters: There’s nothing in the game as graphically gratuitous as Afro Samurai, but Redfield and his gal pal realistically shoot off their share of heads and can slaughter anything infected or mutated in their journey. It takes numerous hits to stagger and drop enemies, and once dead, they bubble up into a pile of goo and release a secondary monster from their torso that then must be killed.
The cinematic realism and effects fall between John Carpenter’s “The Thing” and Guillermo del Toro’s “Blade 2.”
Multiplayer access: Resident Evil 5 was built for two online players. Teamwork and watching each other’s back is paramount to success, so find a good friend on Xbox Live or the PlayStation Network and appreciate the moments.
About the Author
A graduate of Northwestern University with a degree in communications, Joseph Szadkowski has written about popular culture for The Washington Times for the past 17 years. He covers video games, comic books, new media and technology.
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