“What happened with Sergei Filin was not accidental,” Ratmansky, now an artist-in-residence at the American Ballet Theater, posted on his Facebook page. “The Bolshoi has many ills. It’s a disgusting cesspool, of those developing friendships with the artists, the speculators and scalpers, the half-crazy fans, ready to bite the throats of the rivals of their favorites, the cynical hackers, the lies in the press and the scandalous interviews of staff.
“This is all one snowball caused by the lack of any ethics at the theater.”
Filin is the sixth artistic director at the Bolshoi since Yuri Grigorovich, who led the dance company for three decades, resigned in 1995 after losing a protracted dispute with theater management. Successive artistic directors, however, were unable to overcome resistance from dancers and teachers still loyal to Grigorovich as they tried to inject new life into the company.
Filin, a Bolshoi veteran who had brought modern ballets to Stanislavsky, was seen as capable of bridging that gap.
Dancers Zakharova and Yan Godovsky played down talk of tension at the company, saying there were disagreements but not “on this scale.”
By John Solomon
How the government's punishing of the exposure of official wrongdoing can linger for years
Independent voices from the TWT Communities
Benghazi: The anatomy of a scandal
Vietnam Memorial adds four names
Cinco de Mayo on the Mall
NRA kicks off annual convention