On Monday, Women in Film and Sundance organizers plan to release the results of a study tracing how well female filmmakers have fared in the last decade after showing films at the festival.
Women have made promising directing debuts at past festivals only to drop out of sight, unable to get a second project off the ground.
“We have not run into women who have intentionally stopped after their first film with no desire to make another,” Schulman said. “So if they want to make them, we have to be there to support them.”
Like Kathryn Bigelow _ the only woman to earn the directing Oscar, for her 2009 best-picture winner “The Hurt Locker” _ many female filmmakers are uneasy with stories focusing on the gender of whoever’s behind the camera.
They just want the issue to go away so they can go about their work with the same opportunities to tell their stories as men have.
“In terms of the female presence at Sundance, I’m proud to be a part of that story,” said Lake Bell, who stars in her feature directing debut “In a World…” in Sundance’s drama competition. “There’s another part of me that’s excited for the time it’s not a story, that it would just be the normal thing, and people didn’t have to talk about it.
“Any of us, female or male, are just excited to be at Sundance. It’s a big deal for every single person.”
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