- The Washington Times - Wednesday, November 18, 2009

BEIRUT

Iran’s greatest master of traditional music, Mohammad Reza Shajarian, always avoided open clashes with his country’s ruling hard-line clerics.

So it was a bombshell when Mr. Shajarian - so revered that his audiences pelt him with roses - demanded that state radio and TV stop broadcasting his music, as a protest against the government. The state broadcaster complied.

What pushed Mr. Shajarian into action was the government’s brutal crackdown on protests over the June 12 election that Mr. Shajarian and millions of other Iranians believe fraudulently gave a second term to President Mahmoud Ahmadinejad.

“After what happened, I said ‘no way’ and threatened to file a complaint against them if they continued to use my music,” Mr. Shajarian told the Associated Press in a telephone interview.

Iran’s political turmoil has raised a culture clash as hundreds of musicians, actors, filmmakers, poets and writers have spoken out against the government for its suppression of dissent and arrest of thousands. In a particular embarrassment to the government, the filmmaker daughter of Mr. Ahmadinejad’s own culture adviser sought asylum in Germany in October, citing the crackdown at home.

The government has responded by accusing artists of falling prey to foreign “enemies” and by stepping up pressure for their work to toe its ideological line. More than 100 artists have had their works banned or have been prevented from traveling abroad. Others have been detained.

Mr. Ahmadinejad’s art adviser, Javad Shamaqdari, last summer threatened to ban artists from film festivals. “The enemy, which has been thwarted in its plans for a velvet coup, is trying to keep up the fever of their subversive activities at foreign art and cinematic events,” he said in Tehran.

One TV producer says that since the election, authorities have unofficially barred actors who are considered unacceptable from appearing on shows.

“They tell us ‘give us a list of artists you want to use.’ When we give them the list, they say, ‘This and this person are not suitable,’ ” said the producer, who spoke on the condition of anonymity for fear of retaliation.

State TV chiefs even seek to prevent anyone in a program from wearing green - the color of the opposition movement - and they’ve gone so far as to cut scenes of actors wearing green clothes in films made before the election, the producer said.

In Iran, dissent by artists is more than just a matter of celebrities mouthing off about politics: It has a powerful resonance among the public. Arts and culture hold a special place for Iranians. At family parties, they read poetry aloud or bring out a santour, a dulcimerlike instrument, and sing songs of their favorite composers.

The shrines of poets Hafez and Saadi in the central city of Shiraz are among the most-frequented sites in the country. When faced with a tough decision, Iranians will sometimes pick a verse of Hafez’ poetry at random and try to learn their fate from it.

Since its creation in 1979, the Islamic Republic has always kept a tight grip on artists’ work, but artists say the suppression in the postelection period has been among the toughest.

“It’s much greater now because of the stand most of the artists have taken against them,” said Mr. Shajarian. “For now, they’re moving very calmly. But in the future, I know there will be a confrontation between the artists and this government.”

Since the election, Mr. Shajarian and others have been making pointed messages with their art. In September, Mr. Shajarian sang “Zaban e Atash o Ahan” (The language of Fire and Iron), based on a well-known poem in which he pleads: “Lay down your gun. Come, sit down, talk, hear. Perhaps the light of humanity will get through to your heart, too.”

During his last tour of Europe in September, he sang “Brotherhood in Arms,” calling on Iranians to unite.

“It’s a message that I always had for the Iranian people: how to love each other, how to be good and kind to each other, to be united,” Mr. Shajarian said. “But now it’s taken on a more important meaning.”

One of Iran’s most prominent poets, Simin Behbahani, put out her own plea. “Stop the screaming, mayhem and bloodshed,” she lamented in her latest work. “Stop making God’s creatures mourn with tears. Stop recklessly throwing my country to the wind.”

More than 100 Iranian poets have boycotted government-sponsored literary awards and contests. Since the June elections, they say, works of many poets have been censored, while other artists have been threatened or imprisoned. Dozens of cartoonists and documentary filmmakers stayed away from state festivals in Tehran in recent months.

Directors and actors from Iran’s acclaimed cinema industry, which has a strong international following, have also provoked authorities’ anger by showing up at international film festivals in the opposition’s green.

Filmmaker Jafar Panahi, who was briefly detained during a July demonstration in Tehran, wore a green scarf at a Montreal festival over the summer. In apparent retaliation, authorities barred him from traveling abroad for another festival in October, along with several others planning to attend.

When filmmaker Mohsen Makhmalbaf won a lifetime achievement award at the Nuremberg International Human Rights Film Festival in October, he dedicated it to Mehdi Karoubi, one of the two defeated opposition presidential candidates.

But what made news at the Nuremberg festival was the defection of the daughter of Mr. Ahmadinejad’s cultural adviser.

Narges Kalhor, 25, filed for asylum after the screening of her short film, “Rake,” which is based on the Franz Kafka short story “In the Penal Colony,” describing a torture chamber in which the crimes of prisoners are tattooed on their bodies. Although she made the film a year ago, before the uprising, Ms. Kalhor said it was influenced by human rights violations that routinely occur in Iran.

“Certainly, I think an Iranian has to be in a certain condition to want to make such a film. I could have instead made a love story, which would have been much easier and happier. One must ask why I took on making such a film,” said Ms. Kalhor in a telephone interview from Germany.

Angered - and likely embarrassed - by his daughter’s defection, Mehdi Kalhor accused the Iranian opposition of supporting her attempts to challenge the government. He has not had contact with her for a year and a half.

“This issue is one of the symbols of a media and soft war that opposition has launched,” he said, according to the official IRNA news agency.

Narges Kalhor said her estranged father’s accusations were laughable. “For 25 years, I’ve been wondering who these enemies are,” she said.

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