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A year in, YouTube’s channels not yet must-see TV
Question of the Day
Google had disrupted other industries and TV appeared to be next in line. The YouTube channels were trumpeted as the next iteration in television: Just as a handful of networks begat a few hundred cable channels, YouTube would now foster the birth of thousands of channels online.
The revolution has not yet been YouTubed.
Though a year later such a cultural sea change isn’t palpable, YouTube is now doubling down on its investment. It recently expanded into Europe with another 50-plus channels. And now, YouTube is reinvesting in 40 percent of the channels that have already launched. That means more than half of the channels have failed to catch on, yet is still a rate of success that any network programmer would kill for.
But for YouTube, success at this stage is measured less by view counts than by changing perception.
“What we’re trying to do is galvanize the creative and advertising community,” Robert Kyncl, YouTube’s global head of content and the leader of its channels initiative, said in an interview. “And we’re succeeding at that.”
Since it was founded in 2005, YouTube has been predominately the home of user-created video. But by putting out a welcome mat to Hollywood, the site is trying to lure viewers to stay for longer and coax advertisers to pair their brands with known talent.
“I feel we’re 300 percent smarter than we were in January,” he says.
YouTube has declined to make public the size of its investment. The initial channel launch was reportedly fueled by $100 million, a number YouTube executives dispute. Kyncl will go no further than to confirm the $200 million he pledged to spend marketing the channels at YouTube’s TV-style upfront presentation to advertisers in May _ a flashy event capped by a performance by Jay-Z, who recently launched a lifestyle channel called Life and Times.
Jamie Byrne, director of content strategy, said the second round of funding would be relatively similar to the amount of the first round, on a per channel basis. Those not being offered more money aren’t canceled; they are encouraged to keep going, but will have to pay their own way.
A simple glance at the site reveals how central the channels initiative is to YouTube. The fabric of the video behemoth _ where 72 hours of video are uploaded every minute _ has been reoriented to emphasize a user’s playlist of channels, a move that has increased channel subscribers by 50 percent, executives say. It may sound like a small tweak, but behind it is the mission to alter the very nature of YouTube.
“Up until now, the primary noun on YouTube has been video. You watch a video, you share a video, a video has view counts and so on,” Shishir Mehrotra, director of product management at YouTube, said in a separate interview. “We’re gradually shifting the site so the primary noun on the site is the channel, and you tune into the channels that you care about.”
Sometimes lost in the fanfare over YouTube’s channels initiative is that it’s only a drop in the bucket for all of YouTube’s channels. Through ad revenue sharing, more than 1 million content creators are earning money through YouTube, from pennies to hundreds of thousands of dollars.
The channels that have received funding from YouTube aren’t separated from the tens of millions created sans financial backing by users, upstart production outfits and large media companies. Those funded by YouTube are just seedlings in endless pastures of video, planted with the hope of spouting more.
By Michael P. Orsi
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