- Associated Press - Tuesday, July 17, 2012

NASHVILLE, Tenn. (AP) — Without Kitty Wells, there might be no Taylor Swift. Or Miranda Lambert. Or Loretta Lynn.

She was the pioneer, the first female singer with enough spunk and fire to get noticed in the male-dominated world of country music.

Think about it: No Tammy Wynette. No Tanya Tucker. No Carrie Underwood.

“Without her there wouldn’t be a lot of us,” said Country Music Hall of Fame member Jean Shepard.

The family of country music’s first female superstar said she died peacefully at home Monday after complications from a stroke. She was 92.

Dubbed “the queen of country music” decades ago, Miss Wells had been a member of the Country Music Hall of Fame since 1976 and could look back on a career that spanned more than six decades.

Yet as a devastated Miss Shepard noted, Miss Wells was largely a forgotten figure in the 21st century, even as so many strong female personalities populate country’s landscape. To Miss Shepard, she was a close friend and a shining inspiration. They first met around 1950 when Miss Shepard was trying to break into the business and Miss Wells passed through California on tour.

“I just hope that country music itself realizes what a wonderful lady she was and how much she’s going to be missed,” Miss Shepard said in a phone interview. “I know that people get old and they pass away, but I just always thought she was like my grandpa — she was always going to be around, always going to be here. But the Lord don’t see it that way.”

For who knew Miss Wells, she was a powerful presence. Barbara Mandrell, a country superstar in her own right, said she appreciated Miss Wells being a mentor.

Kitty Wells was every female country music performer’s heroine. She led the way for all of us, and I feel very grateful and honored to have known her. She was always the most gracious, kind and lovely person to be around,” Miss Mandrell said in a statement.

Miss Wells scored the first country No. 1 hit by a solo female artist with “It Wasn’t God Who Made Honky Tonk Angels.” Her success dashed the notion that women couldn’t be headliners. Billboard magazine had been charting country singles for about eight years at that time.

She recorded approximately 50 albums, had 25 Top 10 country hits and went around the world several times. From 1953 to 1968, various polls listed Miss Wells as the No. 1 female country singer until Wynette finally dethroned her.

It was Miss Wells’ true-to-life songs that were modern in perspective and heartfelt in delivery that defined her career.

“As far as what she meant to country music, my God, just look at the hit songs she had,” Miss Shepard said.

Her 1955 hit “Making Believe” was on the movie soundtrack of “Mississippi Burning,” which was released 33 years later. Among her other hits were “The Things I Might Have Been,” ”Release Me,” ”Amigo’s Guitar,” ”Heartbreak USA,” ”Left to Right” and a version of “I Can’t Stop Loving You.”

Each offered something identifiable to the listener, making connections for women in the genre that had not been there before. Miss Wells, though, was coy about her place in the country music world.

“I never really thought about being a pioneer,” she said in an Associated Press interview in 2008. “I loved doing what I was doing.”

“It Wasn’t God Who Made Honky Tonk Angels” gave the woman’s point of view about the wild side of life.

The song was written by J.D. Miller as a retort to Hank Thompson’s 1952 hit “The Wild Side of Life.”

The chorus to Thompson’s record was: “I didn’t know God made honky-tonk angels / I might have known you’d never make a wife — / But you gave up the only one that ever loved you / And went back to the wild side of life.”

In his response, Miller wrote: “It wasn’t God who made honky-tonk angels, / As you said in the words of your song, / Too many times married men think they’re still single, / That has caused many a good girl to go wrong.

“It’s a shame that all blame is on us women ….”

The song opened the way for women to present their view of life and love in country music. It also encouraged Nashville songwriters to begin writing from a woman’s perspective.

The song was controversial enough that the Grand Ole Opry asked Miss Wells not to perform it, and some radio stations were reluctant to play it.

“They get away with a lot more today,” Miss Wells told the AP in 1986. “They’re more (sexually) suggestive today.”

Her solo recording career lasted from 1952 to the late 1970s, and she made concert tours from the late 1930s until 2000. That year, she announced she was quitting the road, although she performed occasionally in Nashville and elsewhere afterward.

After her induction into the Hall of Fame, she also received the Pioneer Award from the Academy of Country Music and the Lifetime Achievement Award from the National Academy of Recording Arts & Sciences in 1991.

Born Ellen Muriel Deason in Nashville, the daughter of a railroad brakeman, she was known as a gracious, elegant and family-oriented person.

She began playing the guitar at age 14 and soon was performing at dances in the Nashville area.

Miss Wells married Johnny Wright, half of a duo called Johnny and Jack, in 1938 when she was not yet 20, and she soon began touring with the duo. She took her stage name from an old folk song, “Sweet Kitty Wells.” Miss Wells’ husband died on Sept. 27, 2011.

By the late 1940s they were appearing on the Grand Ole Opry. He performed with her throughout her career and their long marriage.

“What I’ve done has been satisfying,” she said in the 1986 AP interview. “I wouldn’t change a thing.”

Miss Shepard said she was devastated by her friend’s passing. She visited with Miss Wells a handful of times since Wright’s death and was supposed to visit last week along with her friend Jan Howard. But she couldn’t make it because of medical appointments.

“And I’m just so sorry we didn’t get to go see her,” Miss Shepard said. “She was just a precious person always.”

Associated Press writer Joe Edwards contributed to this report.

Sign up for Daily Newsletters

Manage Newsletters

Copyright © 2020 The Washington Times, LLC.

Please read our comment policy before commenting.


Click to Read More and View Comments

Click to Hide