STOCKHOLM — Canadian poet, essayist and translator Anne Carson won the Nobel Prize in Literature Thursday for playful, genre-blending works that fuse the classical and the modern.
The Toronto-born Carson, 76, draws on themes and stories from ancient Greek and Roman literature for writing that often blends elements of poetry, essay and fiction.
The permanent secretary of the Swedish Academy said the author was in Iceland “listening to the wind” when the academy reached her to notify her of the win.
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“She was very taken by surprise,” Ingrid Carlberg said.
Works range from classical Greek translations to poetry
Carson’s books include “Eros the Bittersweet,” a look at the pleasure and pain of desire in ancient Greek literature, the verse novel “Autobiography of Red,” as well as “Men in the Off Hours,” a collection of poetry and prose that won Canada’s Griffin Prize for poetry in 2001, and “Norma Jeane Baker of Troy,” which compares Marilyn Monroe and Helen of Troy.
She also has translated works of classical Greek literature that, the academy said, “may be regarded as independent works in their own right.” They include “If Not, Winter,” based on poem fragments by Sappho, Sophocles’ tragic plays “Electra” and “Antigone” and Euripides’ “Bakkhai.”
“Almost all her literary production has centered upon the intersection between the philologist’s obsession with words and the poet’s desire for new meaning,” said Anders Olsson, chair of the Nobel Literature Committee.
Carson’s wide-ranging influences, from the ancient Greeks to John Keats, Virginia Woolf and Emily Bronte, lead “to playful and ironic works that move not only between classical and modern poetry but also between different genres and art forms,” Olsson said.
Carson blends genres and styles, offering “different voices that play off against each other,” he added.
“Economy of the Unlost,” from 1999, sets ancient Greek poet Simonides of Keos against 20th-century poet Paul Celan, he said, while “Men in the Off Hours,” published in 2000, “aligns the historian Thucydides with Virginia Woolf.”
Carson wrote about her own life and struggles
Carson has taught classics at several North American universities and has lived in Iceland, where she and her husband, Robert Currie, were granted citizenship in 2022.
She also has drawn on her own life for works such as “Nox,” which was published in 2010 and dealt with the decades-long absence and then death of her brother Michael.
Olsson called it “a creation as sculptural as it is literary, an epitaph in the form of a box containing an accordion-fold-out of pictures, letters and other written texts dedicated to her dead brother.” It also includes Carson’s translation of an elegy by the Roman poet Catullus for his own brother.
Among her most recent work is “Wrong Norma,” a wide-ranging 2024 collection of pieces from publications including The Paris Review and The New Yorker, accompanied by Carson’s hand-drawn illustrations.
Also that year, Carson wrote in the London Review of Books about being diagnosed with Parkinson’s disease. She said a “particularly mortifying” symptom was that her handwriting “disintegrated.”
“Hard to describe or explain the shame of bad handwriting,” she said. “Bad handwriting is ugly. Also it is inauthentic. In the sense it is not you.”
The prize was announced in Stockholm. Neither Carson nor her literary agent immediately responded to emails from The Associated Press.
Friday to bring peace prize winner
Three science awards were announced earlier this week. The Nobel for medicine went to three scientists whose work led to a tool that uses light to help unravel how the brain works. The physics award recognized a scientist’s efforts to demystify a rare group of neutrinos. The chemistry prize recognized two scientists for untangling mysterious mirror images in molecules, a discovery that has been used to develop countless drugs.
This week ends with Friday’s peace prize. The Nobel Memorial Prize in Economic Sciences will be announced Monday.
The prize money this year is 12 million Swedish kronor (about $1.2 million) per prize.
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